much needed re-issue, on expansions, of retta young s rare 1976 soul/disco album young and restless . includes the amazing down tempo really really and disco anthem my love is on his way amongst other great tracks.

spanky wilson (born c.1947)is an american soul, funk and jazz vocalist, who has performed internationally and recorded several albums since the late 1960s.

fink veröffentlicht ein minimalistisches blues album auf seinem eigenen imprint r’coup’d! um die wartezeit auf das nächste -reguläre- fink-studioalbum zu verkürzen, veröffentlicht fink im märz -fink’s sunday night blues club, vol. 1- auf seinem eigenem ninja tune-sublabel r coup d. dies ist die erste, reine blues-veröffentlichung von fin greenall. produziert und gemischt wurde das album von fink und flood (u2, pj harvey, warpaint), aufgenommen in greenalls studio in berlin. jeder song wurde dabei in kurzer zeit live mit einem vintage-mikrofon und -verstärker aufgenommen. manchmal braucht es eben einfach nicht mehr. greenall sagt darüber: -most of this record is one take, from all of the guys who helped me get there ... new orleans legend david shirley on drums and the weird and wonderful colin stetson also really brought the heat to the table. -my love of blues has always been there, before i even knew what it was. records by john lee hooker, t-bone walker and chuck berry really spoke to me. for two springs, in 2015 and 2016, i immersed myself in the blues, scouring record stores whilst on tour to inspire and educate myself ... to do something raw, rough, and live, a record that just was, for its own sake. you d think that writing blues was easy - but it isn t ... it s easy to copy, sure, and to cover, definitely, but to write original blues that is more than just a photocopy of the past actually turned out to be equally challenging and natural...- - fink

michael mayer. credited by many as one of the leading tastemakers in dance music, his dj sets have influenced a generation (or two) of musicians and fans out there today. an artist that has never allowed time or age to slow him down – michael mayer remains tirelessly motivated behind the dj decks, in the studio or behind his desk at kompakt, the company he co-owns and is up next on k7’s long running dj-kicks series.
double 12 inch vinyl in gatefold sleeve with download code included.

idealistmusic got some reinforcement for the third and special release, a collaboration/split with berlin based label eintakt. dub taylor shows how modern dub techno can be done, zurich based newcomer thomas wood shows some love for deep flowing oceans and idealist rounds it up with some of his own switchboard work.. limited and hand stamped, with a deep master and cut by lupo@calyx.

for the second release of 2017 macadam mambo is launching a special compilation of adjustments made by friends and members of the label (kilian krings, sneaker/dunkeltier, obermannkind, panoptique, mori ra, shiny boots, misha geylen, smagghe & cross, guillaume des bois, johan ressle..). mostly very obscure tracks in sacha’s « metalic vibe », from post-punk to synth-pop, experimental and more… big up to artist khwezi strydom’s painting from lyon for the artwork !!

mid 90 s, dark basements, muscle boys & party kids, kings & queens,, cheap drugs & dry ice, pimps & whores.... and the greatest dance music ever. dj soch, with his latest release, pays tribute to that wonderful era with his own personal vision. to complete and give that extra value to the package, comes a super groovy remix by minimono a.k.a. fabio della torre and ennio colac

segun bucknor fell in love with american soul music as a student at new york’s columbia university. otis redding, wilson pickett, sam cooke and ray charles hadn’t made much of a splash in africa at the time and when bucknor returned to nigeria in 1968, he was determined to bring the sound to a wider audience.
the result was brand of afro-soul that in turn became a proto-type of afrobeat. with his bands, the assembly and the revolution, he released a few politically charged tracks, but even with his energetic dance trio, the sweet things, turning up the heat, bucknor couldn’t compete with fela kuti.

limited edition white double vinyl in gatefold sleeve.

2lp gatefold with insert. cd included with 2 extra bonus tracks. 2017 marks the triumphant return of millionaire. crack open the champagne!

music collective, concept and podcast series osloground sets out on their first flight as a label, starting out with their own a:g and his fittingly named metamorphosis ep. where two different parts of the journey s title deliver floating and mindlifting atmospheres built on a firm layer of broken beats and sub vibrations, and the flipside delivers more of a dub inspired minimal house groover with footfeeding bass and juno sweeps for those 5am moments, this ep is made with love for the dancefloor in mind.

a work 12 months in the making, adam beyer continues his exciting series of collaborative eps, teaming up with heavy-hitters pig&dan for an multi-faceted four-tracker. chances are up if you spied adam beyer in an airport departure lounge over the past 12 months, he d have his head buried in his laptop, immersed in creating sound sketches. a long-time fan of collaborations, the drumcode chief has been on an inspiring streak of form lately, teaming up with the likes of mark reeve, dense & pika and now pig&dan. the results have been compelling, to say the least. in trademark perfectionist beyer style, the title track capsule - a shimmering slice of techno - involved -around 15 different versions- the track rigorously road tested by the swede and featured in episodes of drumcode radio to test dancefloor reactions, before finally getting the sign off.

in mid-seventies, nigerian bands came and went with alarming regularity, rising meteorically from the slums to stardom and falling back again just as quickly. masisi mass funk from anamara state was one such band. but during their brief moment in the stratosphere, they produced a funk gem in i want you girl.

next up on xvi records, we welcome back south london based producer munro for his second release. having recently participated in the brownswood future bubblers project, he brings his signature heavily percussive flavour to these two perfectly crafted tracks. first track miss your love is a shuffling, soulful, groove laden voyage - its sliding synths and wandering bass line provide a solid backdrop foe its iconic vocal ideal for those late night dance floor moments. on the flip,‘environments ten embarks on a deeper, more atmospheric journey. its scattered, layered drums patterns join together in a thick wall of rhythm, setting the scene for uplifting joyous melodies to slowly elevate above, reverberating around the outer realms of expansive production.

originally released back in 1995 the fingerprintz ep is truly a deep house masterclass. forget all these records coming out today claiming the deep house title, this is what it s all about right here - on one slab of wax. kc is a legend and at this stage in the game he doesn t need an intro, every single track featured here is an absolute winner, all drenched in that classic kerri swing and style. timeless productions. it s hard to pick a favourite as they are all amazing, every possible mood is covered making this whole 4 track ep your new always in the bag staple. from the driving upbeat funk of where is love to the totally stripped back tribal diva sampling i remember kc has you covered. it may sound cliched, but they simply do not make them like this anymore! essential, essential business here from one of the true masters of the game. 100% classic. this is one of a series of official madhouse / kerri chandler reissues for 2017. every title has been remastered by kerri chandler himself, from all original sources and each reissue has been legitimately released in full conjunction with kerri and madhouse records. and, as if that wasn t enough, all the reissues will be coming in the classic madhouse records house bag. snoozing not advised!

bbe is proud to announce the release of ‘influences vol. 2’, a compilation album and dj mix showcasing a selection of dj marky’s favourite music, created with a healthy disdain for genre-puritans and an emphasis on fun. taking in traditional brazilian music, disco, acid jazz, early house and of course a little drum & bass, ‘influences’ is more of an invitation to a barbecue in the são paulo sunshine than a chin-stroking ‘back to mine’ selection.

nachdem mando diao auf ihren letzten beiden alben in ihrer muttersprache schwedisch sangen oder mit synthesizerklängen experimentierten, besinnen sie sich 2017 wieder voll und ganz auf ihre musikalischen wurzeln.
»good times« heißt das neue album des quartetts, das so roh und rockig ist, wie wir es aus ihren anfangstagen kennen und lieben.
weißes 180 gramm vinyl inklusive album-cd.

knapp 40 jahre sind seit ihrem debüt vergangen. ganze zehn alben brachten die legendäre new-wave/power-pop-combo um debbie harry seitdem heraus.
müdigkeit oder gar ein ende der kultband scheint aber noch lange nicht in sicht. stattdessen haben sich blondie ein paar hochkarätige autoren und gäste mit ins boot geholt und stellen 2017 ihn neues album vor. hier ist »pollinator«.
schweres 180 gramm vinyl.

the original motion picture soundtrack from “fifty shades darker” as double vinyl in gatefold sleeve.

bushcraft the knowledge of survival in the wilderness. a young man leaves the safe harbour of his home town, only to find himself lost and lacking the soul. he was always able to trust his ears, but are they really true to him. or is he merely not listening. distant echoes of bass and the melancholia that was always present seem far away. with bushcraft ep jor-el finds himself in touch with the elements. the elements of the hard hitting futuristic music that once took his heart and formed his life. rumbling bass lines controlled by lazer sharp hi-hats driving forward. eerie sounds coming in and drifting out again. always driving forward. the influence of his early years in drum & bass is there. still this is pure techno music from an artist discovering new things in the universe within himself. true rotary recordings is run by joel alter and ena cosovic out of copenhagen. stemming from a mutual appreciation of the combination of raw techno and seductive sounds, the label is a natural development of their musical and personal partnership. true rotary recordings represent their musical vision and the vibe that they love. keeping it raw and genuine.

there arent many artists that can lay claim to having put out records on labels as divergent as rough trade and john talabot’s hivern discs. perhaps this is because few artists express such genuine diversity in their musical tastes and creative explorations as david kitt. since the turn of the decade as new jackson he has mined a seam of driving, ghostly house to run parallel with his solo strand of ambient folk electronica. his debut release in 2011 the night mail on pogo channeled early record collection heroes aphex twin and orbital through to drexciya and projekt pm but had one foot firmly in the 21st century beaming in like some futuristic cyberballad. on the flip side hussle free had that mix of house and boogie sensibilities with dark and dusty synths and vocoder that would become a signature. this was followed by acclaimed releases on hivern, permanent vacation, major problems, apartment and most recently cin cin. his debut album set for release on all city in may was recorded in kitt’s bedroom studio overlooking dublin bay, its nocturnal hues very much a product of the nightshift often working on headphones with the rest of his housemates fast asleep. it takes full advantage of the scope of the lp format, ebbing and flowing between deep house club ready gems and more restrained and meditative beatless moments for the morning after. the recording process yielded many eureka moments with kitt finally nailing sounds that had hitherto proved elusive. a key moment was getting a bank loan to buy an sp 1200 sampler

the 9th piece to the ever growing vinyl puzzle comes from encrypted audio s own trisicloplox (killian) residing in the us heartland for bass music denver / colorado. not the only denver ite on the ea roster you will be hearing from i assure you. killian s love for distortion and forward thinking wave forms takes the listener into an emotive bass and kick driven frenzy across all his tracks. cafe blank in a monster with a driving kick pattern and distorted topline to carry off any rave. estranged leaves you in a field a bass frequencies hard to match. iaido is seeing a lot of support from the likes of gothtrad and recently even the likes of the bug have found their ears gravitated towards trisco.

kht 008 is coming from no less than the man who is called * the prince of techno* by his peers. and that is for a reason: blake was part of the first wave of detroit techno artists and dis and contributed to the techno movement from the mid 80s. tracks like “when a dream becomes u” or “our love” are milestones of electronic music, his style, which he calls “poetry and rhythm” is distinctive. for killekill house trax he delivers the acid life ep which comes along with two strong, acid driven tracks, the a-side darker and more chicago-oriented with its rhythmical focus and the punchy kick, the b-side more detroit-ish with its uplifting chords. timeless!

finnish techno icon mono junk aka kim rapatti joins forces with berlin based freestyle man aka klas sasse lindblad, known for his productions on classic labels like sähkö and moodmusic. pata ep starts with the hard hitting techno title ‘not a love story’, haunting vocals, simple synthline, slicing percussion and deep bassdrum, all u need to make an effect, this must be heard in a big sound system. following with ‘need your lovin’ the ep takes a more electro approach, mesmerising love story with jupiter-8 bassline and 808 beats accompanied with vocals on this track too by mr rapatti. the ep ends with ‘stella polaris’, a production which started as a jam in 2007 in berlin at sasse’s blackhead studios and was finished 10 years later in 2017 in the same location. reminiscing of early 90s electronica time when everything was pure and gold and when these fellows also were starting their careers. ‘stella polaris’ leaves no one cold with emotional themes of analog synthesis and depth of the bass.

!! back in stock !! the legendary prescription records defined the 1990s deep house sound. now captured in this monumental 6x12 inch lp anthology boxset! holds numerous classics that have been out of press for years + previously unreleased tracks, huge tip! prescription: word, sound and power presents the groundbreaking chicago based house labels anthology, holding milestone songs + four previously unreleased tracks.

reissue des legendären, zweiteiligen debütalbums des in chicago geborenen und in detroit lebenden dj/produzenten theo parrish von 1998, der mit seinen deepen momenten aus house, jazz, dub, electronica, melodie und soul - inklusive sample-snippets aus disco und jazzfunk - die blaupause für die dancefloor-Ästhetik der modernen jetztzeit legte.

2017 repress ,alleviated records is proud to present the ken gill ep. ken was on the scene while bernard (badie) and larry (heard) worked on music ideas between 1993 and 1997 and they both help out on love moon, our first selection.

this is the first release of a brand new label lillygood party! (sister label of alex attias visions label) this time his brother stephane joins him on this new adventure for a special project dedicated to re edits or re arranged tracks from albums or singles. the aim of the label is to put out in limited quantities vinyl only, official licenced tracks from the past in various style with a different twist to the track or just a longer version of a tune that they love to play at their parties called also lillygood party! lillygood party! label is very proud to put out the volume 1 with two alex attias versions unreleased before in a 12” format. already played on radio bbc 6 by gilles peterson, by dj zaf lovevinyl and a few others international djs, we are definitely confident that this new imprint is promising with great quality for music lovers and vinyl collectors.on the a side we have a classic cut from leroy hutson “get to this” in a longer version than the original on a kind of soul funk boogie style , an amazing groover on the dancefloor with leroy fantastic vocals and on the b side you will find a soulful deep disco boogie funk jazz stomper from michael gregory jackson “risin’ up ” with an exceptional vocal and deep arrangement, extended for the dancefloor. these two great soulful track will definitely find place in any dj box because it’s really really good!

slidebar is back with a relaunch project to follow the path of our previous slidebar releases, a kick ass 12 filled with groove plundering variety of techno styles from producers you know and love. for the relaunch release - assault on preset 13 ep - we have 4 tracks from paul birken, dave tarrida & tobias schmidt, subhead and ben pest.

best reaggae sounds by superstar bunny lee

ltd 2017 repress !! maxim donskoi and levi verspeek are both hailing from amsterdam. they bonded over their mutual love for intricate and layered house music and started producing tracks together under their makcim and levi moniker. soon they found out that makcims strong musical vision and levis productional finesse make for a combatant combination of ideals that resulted in the daan de pup ep

k alexi shelby & robert owens present downtown , a track that s been getting the inner circle of the house music community quite excited over the past few years some projects simply can t be rushed, and this labor of love is one of those very releases. often imitated but never replicated, roberts instantly recognizable vocals have been tearing up dance floors since the late 80 s, and here with his long time friend k alexi shelby the pair have once again unleashed something special just in time for record store day. flying the chicago flag high, remixes take shape from the ever impressive anthony nicholson & mike dunn, whilst greek supremo anthony k adds in a totally different musical trip, each one ticks all the boxes required and impressively opens up the release for a wide pool of dj s to enjoy. it s k klassik baby! dj support: ron trent, kenny dope, roy davis jnr, joe smooth, maurice joshua, mike dunn, k alexi shelby, anthony nicholson, anthony k & soulfuledge.

if you missed ep vol. 1 dont get caught without vol. 2. the return of chapter two recordings next vinyl ep release is sure to be a smash. this time around santonio, moire patterns and orlando voorn have teamed up to produce the vol. 2 ep. these producers need no introduction featuring sounds of deep house to techno. this quality release will feature four banging tracks. two of them are written and produced by moire patterns entitled ninties 2 love, and hear no evil. orlando voorn has written and produced the track let it go, and santonio echols produced the other track titled detroit brass. this vinyl ep will be available for purchase next month.

multi instrumentalist and deep house master lars bartkuhn returns to utopia records following his nomad ep in april with a 10 minute masterpiece, an ode to the massai . an epic journey of such depth and positive spirit it perhaps deserves to render a genre all to itself. with its musicality, complex arrangement and phrasing massai is a timeless and personal statement from bartkuhn as he seeks the essence in what dance music can and possibly should be. as a young child growing up in frankfurt, bartkuhn penned his first pieces of music with a synthesizer and sequencer, bought for him by his parents upon realising their son s obsession with music. mastering the guitar as a teenager bartkuhn fell deeply in love with the music of pat metheny, keith jarrett and john coltrane and styles such as soul, funk, brasilian sounds, minimal, dance, and others which is heard in his music today. by the mid 90 s bartkuhn began to explore the deep and soulful side of house music and formed lamaya productions and the now legendary record label needs (not wants) together with his older brother marek bartkuhn and dj yannick. needs rapidly became a synonym for soulful, high quality music and while labeled a house music imprint it was lars input that lead the trio to explore alternative, and at the time unorthodox, musical influences that allowed for original textures and arrangements to be included in their productions. countless remix commissions followed and their sound travelled worldwide with works for francois kevorkian, jazztronik, ennio morricone, atjazz to name a few. to date bartkuhn has produced five solo albums all of which demonstrate a never ending creative flow of ideas and artistic diversity, complexity and passion. after some years away from the dance music scene, residing in brasil, lars decided to continue this journey on volcov s neroli records, followed by a 12- for alex bradley s phonica affiliated utopia records. the latter release, nomad has found its way into the sets of the likes of jeremy underground paris, hunee, antal, ron trent, rainer truby, bicep and mcde to name just a few. it s at this point that bartkuhn gives us massai...his self proclaimed finest work

* nan kolé, producer, dj and head of influential label on-the-rise, gqom oh!, returns to black acre for his debut proper with ‘bayefal’, after first collaborating with nervous horizon’s wallwork on his ‘facts / fyah’ 12” at the back end of 2016. * originally from rome, although now a resident of london, nan kolé has been a major player in the expansion of durban’s gqom sound after discovering it in early 2015. through his label, gqom oh!, he honed in on a network of south african producers operating out of durban, unlocking the keys to a world of music largely untapped by audiences outside of southern and western africa. * ‘bayefal’, he explains, was made while still living in rome and was inspired by a group he formed called pepesoup, which consisted of an italo-liberian singer, karima 2g, and senegalese percussionist and singer, moustapha mbengue. “for me, he (mbengue) was a mentor and taught me a lot spiritually but also mentally”, kolé explains, “and without his hard work i wouldn’t be here for sure. this track is dedicated to him, as he s a muslim bayefal.” a joyous, steadfast drum workout made in the carnival spirit, ‘bayefal’ also serves as an ode to his love for both west african rhythms and more specifically, the gqom sound. * on the flip, ‘malumz’ — backed up with two dark, brooding remixes by durban’s citizen boy and crew, formation boyz — is another track rooted in personal experience. “malumz is a tribute to my gqom oh! family”, kolé explains. “they call me malumz, which in zulu means ‘uncle’. the first time citizen boy called me ‘malumz’, it was overwhelming — i felt a change in my relationship with all the guys, because they started to treat me more as a family member, which meant a lot.” * the original mix, a stark, pulsing drum-track dotted with playful whistles and bleepy sampling again celebrates kolé’s fascination with the gqom sound, while first citizen boy and then formation boyz flip ‘malumz’ with harsher, grittier tones and crunching, industrial textures.

almost 10 years have passed since onra arrived with the charmingly eccentric chinoiseries lp. 32 hip-hop beats formed the sample-based project dusty chinese vinyl hissing and crackling throughout resulting in an intriguing and spontaneous mix of the producers interest in exploring a newly-discovered style of music with his love for classic hip-hop production. using the style of analogue mpc production combined with the somewhat restrictive record sampling of strictly chinese music records, he has been able to be creative over three volumes, an amount of 100 instrumentals, despite the challenge of finding more obviously standout samples in chinese music. the chinoiseries projects are the type of albums that invites the listener to play it from beginning to end, in order to really enjoy the trip and appreciate the variety of rhythms and textures spread over those 32 short instrumentals. in that way, pt.3 is no different to its predecessors, but the originality of the samples, the curious harmonies and the odd-drum patterns still makes the album sounds as fresh as the first one. onra finishes this epic trilogy with class as a result of extended record digging across the far east and the producer s own development over the preceding 10 years.

conceived on a dark winters night, ‘we can only’ tells a sombre story of lust and heartache. the heavy kick and bassline beckon, leading to hypnotic guitars and sultry strings. euphoria ensues, questions are left unanswered, until a sweet female responds.
harry s second production, ‘love flow’, came together in a summer of romance. blissful horns and a sensual vocal carry us into a breakdown fit for a bahamian honeymoon. this one is for bringing people together and sharing love.
an edit from the shadow city boys flips harry’s ‘love flow’ on its head. the ‘only lover’s edit’ is a hazy excursion reminiscent of times gone by. plodding along like a 6am slog home. this solemn end brings us full circle, a record that meanders mesmerisingly from one mood to the next… the first of many.

mexicos hotmood brings the heat. after sold out releases on tugboat edits the 4th volume drops on sister label star creature. featuring 4 supreme cuts in hotmoods signature beatdown style. 3 uptempo floor fillers and the 4th is a real scorcher: welcome to the barrio.

raär’s debut tape for gasp records finally arrives on vinyl. cause it’s dirty is soaked in emotion, faded love and unforgettable change. raw house and deeply thought out electronic exploration take the listener on a journey the producers heart and soul.

to the untrained ear a collaboration between mosaic boss steve o sullivan and minimal house maestro ricardo villalobos may not seem like the most obvious sound clash. however, dig a little deeper and you ll find that both these artists have a long history and shared love of stripped back aesthetics and dubbed out rhythms carving out respective sounds that have never strayed far from their roots. sullric is the result of a daylong session at the end of 2016 where the pair plugged in, switched on and set everything to cycle: recording several hours worth of material to tape with an edit of their favourite passage worked into two versions in post-production.

undefined is back and extending the legend saga with the highly experienced, creative genius todd sines. todd began creating music in the late 80’s, ranging from post-punk and industrial, to techno and house. while digging through his material on discogs, one can easily notice the great variety of sounds he has developed throughout the years, using multiple aliases like .xtrak and enhanced.

creating electronic landscapes since the late 90s matt flores is still searching the universe for the best soundscape. his new album sidechained escapism is not an album made for you. it is made by matt flores for himself and that makes it an album for you. simply a journey through a man’s mind who has been making music for 20 years now. from drum’n’bass, uk garage, trip hop to house. his countless releases, projects and collaborations have made his discogs-page explode. but still he cannot rest. this düsseldorf resident is always busy revamping genre expectations. sidechained escapism is matt flores second album and his forth addition to the o*rs cataloge.

-me and my head- follows jorge caiado last year’s ep on groovement - “sunny days are coming” - that got support from andy weatherall and heidi on her bbc radio show. this new 3 track ep showcases jorge caiado’s love for the underground music scene and the

exciting remix project of canadian/french duo hey mother death’s track deranged my love. connecting artists from across genres, each with their own unique take on the original. mr tc, donald dust, sweet dieter and premier track from jacuzzi general

it all started with a book, as these things often do: an english anthology of metaphysical poetry from the 17th century, to be exact. which may not sound like the sexiest option on the shelves, but hear us out. the gentleman plowing through those weathered pages happened to be micha&#322,,,,, jacaszek, the polish composer who’s spun dramatic shades of darkness and light into gold for more than a decade now. an absolute master of melancholy, from the trickle-down electronics of treny to the vapor-trailed verses of its looming spiritual cousin kwiaty.
the vinyl release includes a downloadcode.

das neue album des englischen gentleman s dub club auf dem amerikanischen easy star label folgt dem 2015er release -the big smoke-. für -dubtopia- ist das konzept den fokus aus songwriting vom vorgänger mit dem bassbetonten, uptempo drive ihrer liveauftritte zu fusionieren. das album wurde vom bassisten der band, toby davies ,produziert und featured gäste wie taiwan mc, lady chann, eva lazarus and parly b. die lp erscheint als limitierte transparente edition mit download code.

a collection of sun ra singles from 1962 - 1991 on triple vinyl with download code included.

nat king cole’s 1952 album “unforgettable” back on 180 gram vinyl with download code included.

fuse bosses enzo siragusa and seb zito have been invited by the highly respected rawax to bring a taste of their beloved london rave culture roots to the labels first release of 2017. since their launch in 2011, rawax’s catalogue has beamed with nothing less than the finest, and enzo and seb are a welcomed addition to their already colourful and diverse roster. barac, boo williams, fred p, paul johnson, ricardo villalobos, ron trent and unbroken dub are just a small portion of an incredible list of artists that have released via the labels original monarch and many offshoots thus far. with ‘woonie trax’ enzo and seb perfectly resurrect the sounds of early uk rave culture into the present by digging out the early gems of their record boxes as inspiration. “barring the kicks, i think almost everything came from sampling old garage, hardcore and jungle records from the 90 s. for those in the know, the clues are in the names of the tracks”. – enzo siragusa whilst ‘shades of riddim, ‘lil ley’, and ‘blue notes’ all lend themselves to the early uk sound, each track has its own individual quirk making the ep a diverse representation of the days enzo and seb fell in love with rave.